The original question that inspired these creativity posts asked what books I recommended for the creative process. My answer is any book. There is no particular book I know on the process that is particularly helpful because my reading in this area is nonexistent. Still, any experience is of help. Sometimes we just need to hear the same thing said in a different way.
Here are are my tips for finding that extra bit of creativity when needed. I consulted no other articles putting this together, but have read on this topic in the past and these suggestions likely echo others. What makes sense for one often makes sense for others.
Spark Tip #1: Read
This past week I read a somewhat dated action/suspense thriller. It mainly concerned terrorism. This book gave me the idea for a new chapter in my current project, a middle-grade mystery. More
specifically, the chapter concerns a key figure in the story and his experiences. There is a direct relationship between the information and unraveling the mystery. None of it involves terrorism. In fact, it’s mainly about carpentry.
How did the book inspire this? I’m not entirely certain. No similar chapter appears in the book. Nonetheless, the text engaged in a way where the thought processes used were similar to what was needed to create the idea. Logically, that is the best answer I can give.
Reading stimulates our brains, and fiction in particular should spark the creative center. If it doesn’t, the author isn’t doing a good job. We constantly concoct visuals to go with the text. This is the reverse of how I write: my brain creates a visual and text is written that puts the same visual in the head of a reader. That’s the idea anyway.
Different tools stimulate our brains in different ways. As an example, each night before studying in college I did the New York Times crossword. It took a couple of months to actually finish a full crossword, but complete or not the clues stimulated the analytical parts of my brain and made the reading much easier. Our classes were largely discussion based (small school), so breaking down large amounts of text into easy-to-explain summaries was the task at hand. It was a sort of game and the crossword gave the right mental nudge to do it.
Spark Tip #2: Write!
“Wait, but that’s exactly what I’m having trouble with!” Think of it as a lateral maneuver. Your mind won’t go where you want it to, so take it somewhere else and find another path to what you want. Write about something fun, or something you know. There is a scene in Finding Forrester, where Sean Connery plays a famous author, that rings true. He sits down to write while his protege sits across from him waiting for inspiration. “Start with something familiar,” Connery says and gives him an old essay. The younger man copies the first sentence and then he’s off on his own writing journey.
Everyone writes a bit different and our experiences are unique. Maybe you love to compose poetry, but the project in front of you isn’t a poem. It doesn’t matter because, again, you access the right part of your mind. Once you wake up those brain cells, put them to work on what you really want to write.
The results of my experience with this are mixed. I have a hard time writing about my hobbies and tend to lose focus on the intended message. Our experience with our interests is immersive; there is a lot of information stored in our heads! We have so much detail in our memories is not always easy to put aside that clutter and effectively communicate our experience. So it is sometimes a frustrating exercise to write about things we love.
That said, the effort expended is not a waste. Part of the creativity we want to access is simply forming sentences and varying their structure. That is a worthwhile way to spend time.
Spark Tip #3: Edit
You might also backtrack a bit if you’re in the middle of a project. Do some light editing or re-read the previous chapter. In other words, re-connect with the ideas that advanced the story or make
new connections. It’s a good idea even if the storyline you want to write isn’t directly related (possible, but unlikely).
This is an effective technique. First, it puts me more at ease with the book draft because it cleans up a few things. Second, it re-establishes the pace of the narrative. The mental energy that goes along with being part of that pace opens up the story. Once again, we’re immersed in the feel of the book. If you pair this with the fourth tip, it should give you somewhere to go.
Spark Tip #4: Consult Yourself
You made an outline, right? Okay, go back and take a look. Remember the arc you envisioned when all this started. It sounds a little odd, I mean, you might have the outline pinned to the wall and think you constantly access it. But we can and do lose focus. My chapter book mystery The Shield of Horatius is set, mainly, in modern Rome and the characters visit some amazing sites. There is a mighty temptation to drone on about the surroundings.
We put together likable characters that interact in interesting ways and…maybe…we overdo it. We fall in love with the dialogue and forget to serve the story even while we think we’re serving the art. The art, however, isn’t writing, it is storytelling. Witty banter between characters only does so much for the book. Consult your outline. Get back on track with the story.
Mind maps and other idea-generating practices also might be useful. I use and recommend these for essays, but never had a need for them when it comes to writing narrative fiction. No matter what anyone suggests, when you make the effort you likely will find something that suits you. As I said, our writing and our experiences all differ. It stands to reason there is no true model to produce a creative spark in every single one of us.
Good luck with your writing and thanks for reading!